The Development of the Sense of 'the End of Art’ in Arthur Danto

Rivista di Estetica 68 (2):131-148 (2018)
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Abstract

The striking title The End of Art managed to draw attention to the philosophical work of Arthur Danto. However, the lack of a systematic development which could support this thesis made him face harsh criticism. However, strong foundations for his statements can be deduced from his writings. In this paper, I analyse how to understand the thesis of the ‘end of art’. It should be approached not as a monolitical notion but as a complex concept that combines three different senses: 1) the ‘end of art’ in the Hegelian sense: the conversion of art into philosophy, 2) the ‘end of art’ in the historiographical sense: as the end to the narratives of the history of art, and 3) the ‘end of art’ as the beginning of a new period in history, where Danto’s philosophy of art would be fully valid.

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Raquel Cascales
Universidad de Navarra

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References found in this work

The philosophical disenfranchisement of art.Arthur Coleman Danto - 1986 - New York: Columbia University Press.
The end of art: A philosophical defense.Arthur C. Danto - 1998 - History and Theory 37 (4):127–143.
On late style: Arthur danto’s the abuse of beauty.Diarmuid Costello - 2004 - British Journal of Aesthetics 44 (4):424-439.

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