Philosophical Studies 171 (3):471-491 (2014)
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Abstract |
The central thesis (CT) that this paper upholds is that a picture depicts an object by generating in those who view the picture a visual experience of that object. I begin by presenting a brief sketch of intentionalism, the theory of perception in terms of which I propose to account for pictorial experience. I then discuss Richard Wollheim’s twofoldness thesis and explain why it should be rejected. Next, I show that the socalled unique phenomenology of pictorial experience is simply an instance of perceptual indeterminacy. Lastly, I discuss a phenomenon associated with pictures that could be considered a problem for CT, and account for it by invoking the thesis that visual experience is cognitively penetrable
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Keywords | Pictorial experience Perceptual experience Intentionalism Indeterminacy Cognitive penetrability |
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DOI | 10.1007/s11098-014-0279-y |
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References found in this work BETA
Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Harvard University Press.
Art and Illusion: A Study in the Psychology of Pictorial Representation.E. H. Gombrich - 1960 - Phaidon.
Cognitive Penetration of Colour Experience: Rethinking the Issue in Light of an Indirect Mechanism.Fiona MacPherson - 2012 - Philosophy and Phenomenological Research 84 (1):24-62.
View all 47 references / Add more references
Citations of this work BETA
Are Pictures Peculiar Objects of Perception?Gabriele Ferretti - 2017 - Journal of the American Philosophical Association 3 (3):372-393.
Why Trompe l'Oeils Deceive Our Visual Experience.Gabriele Ferretti - forthcoming - Wiley: The Journal of Aesthetics and Art Criticism 78 (1).
Imaginatively‐Colored Perception: Walton on Pictorial Experience.Alon Chasid - 2016 - Southern Journal of Philosophy 54 (1):27-47.
View all 6 citations / Add more citations
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