Abstract
This paper studies the theme of civilization and barbarism in El Sur, a short story by Jorge Luis Borges. Focusing on the historical perspective, it analyzes the political-geographical discourse of the Argentine elite on the Indians and the geopolitical imaginary of "the South" in the second half of the nineteenth century. The protagonist of the story, Juan Dalhmann, identifies himself as heir to this discourse based on European values as the only pattern of a universal civilization. Dalhmann interprets the difference in geography he encounters on his journey to the South as an anachronism in the temporal order, practicing the "denial of coevalness". The South is for him the space of the Other. The duel at the end of the story between Dalhmann and the man with indian face is a manifestation of the inescapable contradiction when Dalhmann becomes the new civilizer of modernity.