Abstract

In the years since its introduction, Edward Said’s celebrated study Orientalism has acquired a near-paradigmatic status as a model of the relationships between Western and non-Western cultures. Said seeks to show how Western imperialist images of its colonial others—images that, of course, are inevitably and sharply at odds with the self-understanding of the indigenous non-Western cultures they purport to represent—not only govern the West’s hegemonic policies, but were imported into the West’s political and cultural colonies where they affected native points of view and thus served as instruments of domination themselves. Said’s focus is on the Near East, but his critics and supporters alike have extended his model far beyond the confines of that part of the world. Despite the popularity of Said’s model, however, comparatists and sinologists have yet to make extensive use of it in their attempts to define China’s self-image or the nature of the Sino-Western social, cultural, and political relationships. Xiaomei Chen is assistant professor of Chinese and comparative literature at Ohio State University. She has recently completed a book on the politics of cross-cultural “misunderstanding” in modern China and the West, and is now working on a cultural study of post-Mao Chinese theater