In Jeffrey A. Ewing & Kevin S. Decker (eds.),
Alien and Philosophy. Wiley. pp. 166–177 (
2017)
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Abstract
Ellen Ripley stands out from the ordinary, stereotypical women in horror and science fiction movies up until the release of Alien in 1979. It isn't hard to interpret Ripley's fight against the Xenomorphs as a metaphor for the feminist struggle against sexual violence directed at women, or to see her actions as violent opposition to those who would deny her sexual self‐determination. Proponents of care‐focused approaches observe that women have a special way of moral reasoning, whereas status‐oriented thinkers seek to overcome gender‐based inequalities and unjust social relationships through criticizing status differences between men and women, like stereotypes and differences in pay for the same work. Two brief examples from Aliens illustrate the difference between these approaches. This chapter considers whether Ripley exercises a feminist ethics of care. In the last scene of Alien, Ripley's strong identification with her professional role shows itself again when she makes a final entry in the Nostromo's log.