Ergo (
forthcoming)
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Abstract
Advocates of interactionism in the ethical criticism of art argue that ethical value impacts aesthetic
value. The debate is concerned with “the intrinsic question”: the question of whether ethical
flaws/merits in artworks’ manifested attitudes affect their aesthetic value (Gaut 2007: 9). This
paper argues that the assumption that artworks have intrinsic ethical value is problematic at least
in regards to a significant subset of works: fictional artworks. I argue that, insofar as their ethical
value emerges only from attitudes attributable to actual agents, fictional artworks only have extrinsic
ethical value. I show that what is at stake for interactionism is whether ethical judgements
concerning artists’ attitudes in a context, rather than manifested attitudes, are ever aesthetically
relevant. I conclude that, without buying into extreme actual intentionalism, a still controversial
theory of interpretation that ties artworks’ meaning to actual artists, interactionism fails to show
that ethical flaws/merits are aesthetic flaws/merits.