Abstract
The meaning of the term "baroque" has been the subject of much debate. In the field of historiography, historians have not engaged in a dialogue on the subject and have accepted uncritically the value-judgments of eighteenth-century scholarship. One approach to be used in this author's new book, Historians and Historiography in the Italian Renaissance, compares the work of 782 Italian historians from earliest times through the seventeenth century. The humanist historiography of the Italian Renaissance exhibited the concepts of change, contingency, and epoch in history; relied on ancient forms; used methodological principles of causation; and taught moral and political lessons. Italian Baroque historiography, on the other hand, employed the forms of the new bulletins or avvisi, copied the prose style of its contemporaries, discounted its practical utility, and displayed a separation between history as literature and history as research