Legenda (2006)

Abstract
In Selfless Cinema?, Sarah Cooper maps out the power relations of making, and viewing, documentaries in ethical terms. The ethics of filmmaking are often examined in largely legalistic terms, dominated by issues of consent, responsibility, and participantse(tm) or film-makerse(tm) rights, but Cooper approaches four representative French film-makers e" Jean Rouch, Chris Marker, Raymond Depardon, and Agns Varda e" in a far less juridical way, drawing on the ethical philosophy of Emmanuel Levinas. She argues that, in spite of Levinase(tm)s iconoclastic, anti-ocular thinking, his concept of visage is richly applicable to film, and especially to documentary.
Keywords Documentary films History and criticism  Documentary films Moral and ethical aspects
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Call number PN1995.9.D6.C56 2006
ISBN(s) 1904713122   9781904713128   1906540306
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The Skin of the Other.Brian Bergen-Aurand - 2010 - Journal of Information Ethics 19 (2):100-113.
1922: Dziga Vertov.Dan Geva - 2021 - In A Philosophical History of Documentary, 1895-1959. Cham: Palmgrave Macmillan. pp. 93-100.

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