Philosophy East and West 47 (4):521-553 (1997)
Zhuang Zi's relation to the Confucian school is reexamined. It is argued that although Zhuang Zi was fond of highlighting the absurdities of the Confucian enterprise, we can nonetheless detect in his writings a great admiration for much of what constituted the central core of the Confucian vision. This essay analyzes Confucius' image of "musical perfection," representing the total concordance of ritual restraints and harmonious freedom; traces the Confucian notion of self-cultivation through Mencius' passage on the "full-flowing energy"; and concludes with an examination of Zhuang Zi's "Butcher Ding" story, showing that while Zhuang Zi's whole concept of self-nurturing is approached from a diametrically opposite angle, he nonetheless ends up celebrating a state of mastery and freedom in many ways identical to Confucius' notion of musical perfection
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Perspectivism as a Way of Knowing in the Zhuangzi.Tim Connolly - 2011 - Dao: A Journal of Comparative Philosophy 10 (4):487-505.
Human Nature and Moral Cultivation in the Guodian 郭店 Text of the Xing Zi Ming Chu 性自命出 (Nature Derives From Mandate).Shirley Chan - 2009 - Dao: A Journal of Comparative Philosophy 8 (4):361-382.
Two Notions of Freedom in Classical Chinese Thought: The Concept of Hua 化 in the Zhuangzi and the Xunzi.Jiang Tao - 2011 - Dao: A Journal of Comparative Philosophy 10 (4):463-486.
The Doubleness of Craft: Motifs of Technical Action in Life Praxis According to Aristotle and Zhuangzi.David Machek - 2011 - Dao: A Journal of Comparative Philosophy 10 (4):507-526.
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