The Actor, the Pilgrim and the Fieldpath

Human and Social Studies 4 (3):123-136 (2015)
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Abstract

This article aims to cast a glance on some questions relevant for theatre, with an emphasis on the actor’s point of view, not in order to investigate the acting practice but to develop a reflection. Theatre is a marginal art; an actor’s action is a displacement action, out of the centre, searching, moving. Also, the actor is always a foreigner, a strange stranger. We follow these questions while going through the fieldpath, with direct reference to Martin Heidegger’s text “Der Feldweg”. As an actress, I try to understand it by walking my own path.

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References found in this work

El ser y el tiempo.Martín Heidegger & José Gaos - 1953 - Revista Portuguesa de Filosofia 9 (4):432-433.
Traditional Language and Technological Language.Martin Heidegger & Wanda Torres Gregory - 1998 - Journal of Philosophical Research 23:129-145.
Traditional Language and Technological Language.Martin Heidegger & Wanda Torres Gregory - 1998 - Journal of Philosophical Research 23:129-145.
Chemins qui ne mènent nulle part.Martin Heidegger & Wolfgang Brokmeier - 1962 - Les Etudes Philosophiques 17 (4):546-547.

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