Philosophy Compass 4 (1):1-21 (2009)

Authors
Diarmuid Costello
University of Warwick
Abstract
This article contains a survey of recent debates in the philosophy of photography, focusing on aesthetic and epistemic issues in particular. Starting from widespread notions about automatism, causality and realism in the theory of photography, the authors ask whether the prima facie tension between the epistemic and aesthetic embodied in oppositions such as automaticism and agency, causality and intentionality, realism and fictional competence is more than apparent. In this context, the article discusses recent work by Roger Scruton, Dominic Lopes, Kendall Walton, Gregory Currie, Jonathan Cohen and Aaron Meskin, Noël Carroll, and Patrick Maynard in some detail. Specific topics addressed include: aesthetic scepticism, transparency, imagination, perception, information, representation and depiction.
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DOI 10.1111/j.1747-9991.2008.00193.x
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References found in this work BETA

Understanding Pictures.Dominic Lopes - 1996 - Oxford University Press.
A Philosophy of Cinematic Art.Berys Gaut - 2010 - Cambridge: Cambridge University Press.

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Citations of this work BETA

Beyond Resemblance.Gabriel Greenberg - 2013 - Philosophical Review 122 (2):215-287.
Is Moral Deference Reasonably Acceptable?Martin Ebeling - 2017 - Social Epistemology 31 (3):296-309.
What Are the Primary Bearers of Truth?Peter Hanks - 2013 - Canadian Journal of Philosophy 43 (5):558-574.
Photographically Based Knowledge.Dan Cavedon-Taylor - 2013 - Episteme 10 (3):283-297.

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