Continental Philosophy Review 46 (1):37-56 (2013)

Abstract
This paper seeks to integrate analytic philosophy and phenomenology. It does so through an approach generated, specifically, in relation to imagination and its cognitive significance. As an Introduction, some reservations about existing phenomenological approaches to imagination—in the work of Sartre and Edward S. Casey—are considered. It is argued that their introspective psychological approach needs to be qualified through a more analytic orientation that determines essence, initially, on the basis of public discourse concerning the term ‘imagination.’ Part One then articulates this orientation through an ‘analytic reduction’ that identifies imagination’s essence in public discourse as thought in its quasi-sensory mode. Part Two offers a sustained phenomenological investigation of this essence, and identifies four major intrinsic features. On the basis of this, Part Three shows how imagination is implicated, centrally, in the capacity to acquire language. In Conclusion the proceeding arguments are defended against possible objections, and a final key summarizing argument is formulated to show that imagination must be regarded, also, as necessary to perception and its capacity to articulate a world. The paper ends with a few thoughts on the further potential of post-analytic phenomenology
Keywords Phenomenology  Analytic philosophy  Sartre  Imagination  Language  Perception
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DOI 10.1007/s11007-013-9247-z
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References found in this work BETA

How the Body Shapes the Mind.Shaun Gallagher - 2005 - Oxford University Press UK.
Imagining: A Phenomenological Study.Edward S. Casey - 1976 - Indiana University Press.

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Citations of this work BETA

Notice Board.David Johnston & Adrian van den Hoven - 2013 - Sartre Studies International 19 (2):132-147.
The Poetry of ‘Flesh’ or the Reality of Perception? Merleau-Ponty’s Fundamental Error.Paul Crowther - 2015 - International Journal of Philosophical Studies 23 (2):255-278.

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