Sport, Ethics and Philosophy 10 (2):175-196 (2016)

This paper explores the view that, on Mumford’s account of the purist, to the degree that the purist adopts an aesthetic perspective, he or she doesn’t watch the sport in question, and to the degree that he or she does watch the sport, there is a loss of aesthetic appreciation. The idea that spectators oscillate between partisanship and purism means that the purist is unable to avoid either the Scylla of not actually watching the sport, or the Charybdis of loss of aesthetic appreciation at any given point. Ultimately there seems to be both a sport-shaped hole and an aesthetic-shaped hole in Mumford’s account of the purist. It is argued that oscillation is incapable of dealing with the problem precisely because it is disjunctive in nature and entails the spectator either watching sport from an aesthetic perspective or from a partisan perspective at any given time. An alternative conception of the aesthetic is considered that offers one way of dissolving the purist’s dilemma.
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DOI 10.1080/17511321.2016.1177850
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References found in this work BETA

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Citations of this work BETA

Purism and the Category of ‘the Aesthetic’: The Drama Argument.Leon Culbertson - 2017 - Journal of the Philosophy of Sport 44 (1):1-14.
Meaning and Use: Drama and the Aesthetic.Leon Culbertson - 2020 - Sport, Ethics and Philosophy 15 (3):349-370.

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