Logic and Logical Philosophy 20 (4):317-326 (2011)

Abstract
The purpose of this article is to consider an answer to the question whether Searle’s idea of sentence in a literary text is still relevant. Understanding literary utterances as specific speech acts, pretended illocutions, is inherent in the process of considering the sentence in a literary text in broader terms. Accordingly, it appears necessary to outline it. Reference to other ideas formulated both in the theory of literature as a speech act [R. Ohmann, S. Levin] as well as in logic, ontology and the theory of literature [J. Pelc, H. Markiewicz, R. Ingarden] will render it possible to adequately place and assess Searle’s theory. Confronting Searle’s theory with the order in a literary work (the relation between the text and the literary work, the status of the presented world, the issue of reference and fiction) will in turn render it possible to determine how empirically adequate Searle’s theory is
Keywords objects created in a work of fiction  ontology  reference  act of speech  fictional discourse  fictional assertion  cognitive function  pretended illocution
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DOI 10.12775/LLP.2011.021
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Speech Acts.J. Searle - 1969 - Foundations of Language 11 (3):433-446.
The Logical Status of Fictional Discourse.John R. Searle - 1975 - New Literary History 6 (2):319--32.
A Meinongian Analysis of Fictional Objects.Terence Parsons - 1975 - Grazer Philosophische Studien 1 (1):73-86.
A Meinongian Analysis of Fictional Objects.Terence Parsons - 1975 - Grazer Philosophische Studien 1 (1):73-86.
The Language of Art & Art Criticism.Joseph Margolis - 1965 - Detroit: Published for the University of Cincinnati by Wayne State University Press.

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