Columbia University Press (1986)
In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of Art_ continues to be of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians
|Keywords||Aesthetics Art Philosophy|
|Categories||categorize this paper)|
|Buy the book||$7.14 used (92% off) $48.64 new (43% off) Amazon page|
|Call number||BH39.D35 1986|
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Citations of this work BETA
Metaphor and Prop Oriented Make-Believe.Kendall L. Walton - 1993 - European Journal of Philosophy 1 (1):39--57.
Art and Ethical Criticism: An Overview of Recent Directions of Research.Noël Carroll - 2000 - Ethics 110 (2):350-387.
Re-Enfranchising Art: Feminist Interventions in the Theory of Art.Estella Lauter - 1990 - Hypatia 5 (2):91-106.
Is Sport Unique? A Question of Definability.S. K. Wertz - 1995 - Journal of the Philosophy of Sport 22 (1):83-93.
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The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste.Arthur Coleman Danto - 1998 - G+B Arts Int'l.
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