Nordic Journal of Aesthetics 29 (60):26-47 (2020)

The article considers Gertrude Stein’s reflections about the increasing abstraction of economics in response to the Great Depression and Roosevelt’s New Deal in a number of explicitly political pieces from the mid-1930s, including “A Political Series”, and her five brief newspaper commentaries on “money”: ”Money”, “More About Money”, “Still More About Money”, “All About Money”, and “My Last About Money”. The article then relates them to Walter Benjamin’s and Giorgio Agamben’s ideas about the religious implications of the money system that resonate with Stein’s salute to the “believer in money” as security against contemporary authoritarian tendencies. Stein’s opinion pieces argue against taxation, unionism, and public spending, yet also demonstrate the slippery passage between her explicit conservatism, her economic liberalism and her still present radicalism and critique of patriarchal authority as they recycle crucial elements from contemporaneous works such The Geographical History of America and Everybody’s Autobiography.
Keywords Capitalism as Religion  Gertrude Stein  Infrastructural Poetics  Modernism  Money  Patriarchs  The 1930s  The Great Depression
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DOI 10.7146/nja.v29i60.122838
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