Kantian Review 17 (2):177-190 (2012)
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Abstract |
In his Critique of the Power of Judgement, Kant explicates the creation of works of fine art (schöne Kunst) in terms of aesthetic ideas. His analysis of aesthetic ideas claims that they are not concepts (Begriffe) and are therefore not definable or describable in determinate language. Nevertheless, Kant claims that aesthetic ideas are communicable via spirit (Geist), a special mental ability he associates with artistic genius. This paper argues that Kant's notion of Geist is central to his analysis of fine art's expressive power. The notion of Geist constitutes a conceptual link between Kant's aesthetic theory and that of G. W. F. Hegel, for whose analysis Geist is the subject
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Keywords | aesthetic ideas aesthetics German idealism Hegel Kant philosophy of art spirit |
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DOI | 10.1017/s1369415412000015 |
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References found in this work BETA
Critique of Pure Reason.Immanuel Kant - 1781/1998 - In Elizabeth Schmidt Radcliffe, Richard McCarty, Fritz Allhoff & Anand Vaidya (eds.), Philosophy and Phenomenological Research. Blackwell. pp. 449-451.
Critique of Judgment.Immanuel Kant & Werner S. Pluhar - 1941 - Indianapolis, Indiana: Hackett Publishing Company.
Imagination and Interpretation in Kant: The Hermeneutical Import of the Critique of Judgment.Rudolf A. Makkreel - 1990 - University of Chicago Press.
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Citations of this work BETA
Kant on Fine Art, Genius and the Threat of Private Meaning.Aviv Reiter - 2018 - Kantian Review 23 (2):307-323.
Beauty, Ugliness and the Free Play of Imagination: An Approach to Kant's Aesthetics.Mojca Küplen - 2015 - Springer Verlag.
Cognitive Interpretation of Kant’s Theory of Aesthetic Ideas.Mojca Kuplen - 2019 - Estetika 56 (12):48-64.
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