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Schenkerian Analysis and the Intelligent Listener
The Monist 86 (4):579-607 (2003)
Abstract
Not long ago, I was perusing a commentary on Verdi’s Aida, and came across the following observation: the music toward the end of the Nile Scene, in which Aida and Radames resolve to flee Egypt, is the same as that of Radames’s entrance earlier.My notes
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2011-01-09
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Citations of this work
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Tres ratones ciegos: Goodman, McLuhan y Adorno sobre el arte de la música y del escuchar en la época de la transmisión global.Lydia Goehr - 2012 - Enrahonar: Quaderns de Filosofía 49:121-154.
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