Abstract

On this article, I explain the pure theory of motion and space according to Kant. However, we know that it is a new phoronomic conception by the way plays a very important role to the a priori intui-tion.On thia article I refer the Kant`s positon about the space, time, and motion, accorduing to the phoronomy, and the sense of transcendental aethetics. However, it is possible to determine a new critic to the classical cinematic, and ea very important point of view by the kantian sense of phoronomy