Abstract

This paper examines how time functions as an active subject in the works of Mark Doty and Edmund de Waal, mainly through their reflections on still life and material objects. Doty’s meditations on a still life painting and De Waal’s exploration of his family’s netsuke collection reveal an inversion of our typical understanding of time, where instead of us moving through time, time itself shapes, preserves, or erodes people, places, and things. By closely observing these objects—Doty’s “things of the world” and De Waal’s family heirlooms—each author recognizes how time acts upon them, turning seemingly permanent elements into transient reflections. This study argues that, in both accounts, time is a subjugating force and a silent reminder of impermanence. In this way, the paper invites readers to adopt a “close-looking” perspective, recognizing time’s invisible yet profound impact on memory, materiality, and the passage of life itself.