Environmental Philosophy 4 (1-2):29-48 (2007)

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Abstract
This essay explores Heidegger’s “The Origin of the Work of Art” and Andrew Goldsworthy’s artworks. Both Heidegger and Goldsworthy can be seen as refashioning our ontological bearings towards nature through the work of art. After introducing a set of distinctions (e.g., world/earth) in the context of Heidegger’s conception of the artwork as the event of truth, I argue that Heidegger’s releasing of the work of art from metaphysical notions of “the thing” illuminates the ambiguous status of Goldsworthy’s artworks as things. Goldsworthy’s crafting of artworks from natural materials exemplifies Heidegger’s concept of technē as the bringing forth of a work in the midst of phūsis, or beings that arise of their own accord
Keywords Applied Philosophy  Contemporary Philosophy  General Interest  Social and Political Philosophy
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ISBN(s) 1718-0198
DOI 10.5840/envirophil200741/24
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Of the Earth: Heidegger’s Philosophy and the Art of Andy Goldsworthy.Tobias Keiling - 2017 - Journal of Aesthetics and Phenomenology 4 (2):125-138.

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