British Journal of Aesthetics 45 (4):388-411 (2005)

Authors
John Dilworth
Western Michigan University
Abstract
How can it be true that one sees a lake when looking at a picture of a lake, since one's gaze is directed upon a flat dry surface covered in paint? An adequate contemporary explanation cannot avoid taking a theoretical stand on some fundamental cognitive science issues concerning the nature of perception, of pictorial content, and of perceptual reference to items that, strictly speaking, have no physical existence. A solution is proposed that invokes a broadly functionalist, naturalistic theory of perception, plus a double content analysis of perceptual interpretation, which permits non-supervenient, culturally autonomous modes of reference to be generated and artistically exploited even in a purely physical world. In addition, a functionalist concept of broad or 'spread' reference replaces the traditional precise intentional concept of reference, which previously made reference to non-existent items theoretically intractable.
Keywords Aesthetics  Cognitive Science  Perception  Representation  Visual
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DOI 10.1093/aesthj/ayi050
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References found in this work BETA

Farewell to Danto and Goodman.Joseph Margolis - 1998 - British Journal of Aesthetics 38 (4):353-374.
Aesthetic Supervenience: For and Against.JE MacKinnon - 2001 - British Journal of Aesthetics 41 (1):59-75.

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Citations of this work BETA

Aesthetics and Cognitive Science.Dustin Stokes - 2009 - Philosophy Compass 4 (5):715-733.
In Support of Content Theories of Art.John Dilworth - 2007 - Australasian Journal of Philosophy 85 (1):19 – 39.

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