Abstract

The post­Soviet culture is characterized by a deep nostalgia for the Soviet era. The manifestation of that nostalgia is a constant circulation of the Soviet themes in the post­Soviet media space. Classic Soviet romantic comedies are traditionally being showing on the national television during national holidays year by year. There are a lot of remakes of the cult Soviet films released in post­Soviet times. The movie “Office Romance. Modern Time” is an adaptation of the classic love story of Soviet film “Office Romance” to the realities of contemporary culture. Remakes adapt Soviet stable movie­plots for contemporary post­Soviet generation. Remake has an interpretive nature. Remake of “Office Romance” had the impact of the Hollywood genre conventions on cinema representation narrative and life style of the characters. Two versions of the same stories that belong to two cultural epochs, show the gradual assimilation of Soviet and post­Soviet cinema of Hollywood genre and mental patterns of American culture. The Soviet “Office Romance” genre conventions of romantic comedies were adapted to Soviet realities at the semantic level. The heroes of post­Soviet version of “Office Romance” have incorporated the mental patterns of American culture. The main heroes belief that identity and its representation in the society are not stable and established. On the representation of society and we must take care to design it so that it was clear to people around. This model has been played on the material of Soviet culture in the analyzed films and effectiveness of the model is shown by the happy­ending.