The development of rhythmic attending in auditory sequences: attunement, referent period, focal attending
Cognition 77 (3):251-288 (2000)
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The development of rhythmic attending in auditory sequences: theory and research.Carolyn Drake, Mari Riess Jones & Clarisse Baruch - 2000 - Cognition 77 (3):251-288.
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THIS chapter presents perspectives on perception of metre and rhythm, with a focus on dynamic attending theory (DAT). Three major sections address, respectively, metre perception, rhythm perception, and the role of time markers.Mari Riess Jones - 2008 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.
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Infant music perception: Domain-general or domain-specific mechanisms?Sandra E. Trehub & Erin E. Hannon - 2006 - Cognition 100 (1):73-99.
Movement Synchrony Forges Social Bonds across Group Divides.Bahar Tunçgenç & Emma Cohen - 2016 - Frontiers in Psychology 7.
Hunting for the beat in the body: on period and phase locking in music-induced movement.Birgitta Burger, Marc R. Thompson, Geoff Luck, Suvi H. Saarikallio & Petri Toiviainen - 2014 - Frontiers in Human Neuroscience 8.
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References found in this work
The processing-speed theory of adult age differences in cognition.Timothy A. Salthouse - 1996 - Psychological Review 103 (3):403-428.
The dynamics of attending: How people track time-varying events.Edward W. Large & Mari Riess Jones - 1999 - Psychological Review 106 (1):119-159.
Time, our lost dimension: Toward a new theory of perception, attention, and memory.Mari R. Jones - 1976 - Psychological Review 83 (5):323-355.
Dynamic attending and responses to time.Mari Riess Jones & Marilyn Boltz - 1989 - Psychological Review 96 (3):459-491.
Skill acquisition in music performance: relations between planning and temporal control.Carolyn Drake & Caroline Palmer - 2000 - Cognition 74 (1):1-32.
