Abstract

No ASPECT of Marx’s work has more profoundly affected the modern mind than his critique of ideology. Friends and foes alike have, often unwittingly, spoken Marx’s language in interpreting arts and letters and adopted his standards in judging the overall drift of our culture. The critique of bourgeois ideology has united Marxists of contrary persuasions in a rare unanimity. While Marx’s economic projections may have lost much of their credibility after having been repeatedly adjusted to ever new recoveries of the capitalist economy on its purported road to decline, his evaluation of the bourgeois superstructure has gained ever greater acceptance. In fact, there seems to be a direct proportion between one and the other. The less the economic development of bourgeois society followed the course of Marx’s predictions, the more its cultural attitudes seemed to justify his critical judgment; the less people were inclined to dispense with the benefits of a capitalist economy, the more they found its culture "alienating." Thus Marx’s critique of economy was more and more converted into a critique of capitalist ideology. This development is all the more striking in that the concept of ideology has for the most part remained undefinably vague and has left countless contrary interpretations in its wake.