Philosophy Compass 16 (5):e12729 (2021)

Authors
John Dyck
University of West Georgia
Abstract
Country music has not gotten much attention in philosophy. I introduce two philosophical issues that country music raises. First, country music is simple. Some people might think that its simplicity makes country music worse; I argue that simplicity is aesthetically valuable. The second issue is country music’s ideal of authenticity; fans and performers think that country should be real or genuine in a particular way. But country music scholars have debunked the idea that country authenticity gets at anything real; widespread ideas about country authenticity are rooted in a racist and fabricated picture of country music. In discussing these two issues, I highlight the importance of community in country music.
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DOI 10.1111/phc3.12729
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References found in this work BETA

The Sovereignty of Good.Iris Murdoch - 1970 - New York: Schocken Books.
Dual Character Art Concepts.Shen‐yi Liao, Aaron Meskin & Joshua Knobe - 2020 - Pacific Philosophical Quarterly 101 (1):102-128.
The Sovereignty of Good.Iris Murdoch - 1971 - Philosophy 47 (180):178-180.

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Citations of this work BETA

Country Music and the Problem of Authenticity.Evan Malone - forthcoming - British Journal of Aesthetics.

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Music in the Life of Man.Julius Portnoy - 1963 - Westport, Conn., Greenwood Press.
Music & Meaning.Jenefer Robinson (ed.) - 1997 - Cornell University Press.
Rāgacikitsā =.Suvarṇṇa Nalappāṭṭ - 2008 - Readworthy Publications.
Esthetics of Music.Carl Dahlhaus - 1982 - Cambridge University Press.

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