The metaphysics of musical works

Nikk Effingham
University of Birmingham
Given realism about musical works, we must ask what to identify musical works with. I criticse two theories (that works are fusions of performances and that works are eternal types) before presenting my own theory identifying (that works are identical to sets). I then defend that theory against objections.
Keywords No keywords specified (fix it)
Categories (categorize this paper)
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 58,206
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles


Added to PP index

Total views
3 ( #1,291,997 of 2,419,505 )

Recent downloads (6 months)

How can I increase my downloads?


My notes