What does Peirce's Sign System Have to Say to Art History?

Culture, Theory, and Critique 44 (1):5-22 (2003) Copy BIBT_EX

Abstract

Peirce is far too strange for the uses to which he is put in art history. This is a plea to art historians for a moratorium on Peirce citations.

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School of the Art Institute of Chicago

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Charles Sanders Peirce in 19th Century Philosophy

Logic and Philosophy of Logic, Misc in Logic and Philosophy of Logic

Keywords

semiotics Peirce

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Author's Profile

School of the Art Institute of Chicago

Citations of this work

Reductionism in Peirce’s sign classifications and its remedy.James Liszka - 2019 - Semiotica 2019 (228):153-172.

Photographing Sculpture: Aesthetic and Semiotic Issues.Francesca Polacci - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):129-143.

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References found in this work

Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Bobbs-Merrill.

Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.

Icon, index, and symbol.Arthur W. Burks - 1948 - Philosophy and Phenomenological Research 9 (4):673-689.

Peirce’s Concept of Sign.Douglas Greenlee - 1973 - The Hague: Mouton.

Peirce’s Concept of Sign.Douglas Greenlee - 1973 - Transactions of the Charles S. Peirce Society 10 (3):185-189.

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