Abstract

This paper contrasts three different positions taken by 18th century British scholars on how sensations, particularly sensations of colour and touch, come to be localized in space: Berkeley’s view that we learn to localize ideas of colour by associating certain purely qualitative features of those ideas with ideas of touch and motion, Hume’s view that visual and tangible impressions are originally disposed in space, and Reid’s view that we are innately disposed to refer appearances of colour to the end of a line passing through the centre of the eye and originating from the spot on the back of the retina where the material impression causing that appearance was received. Reid’s reasons for rejecting the Berkeleian and Humean views are examined. It is argued that Reid’s position on visual localization is ultimately driven by his dualistic metaphysical commitments rather than by an empirically grounded investigation of the phenomena of vision. To this extent, his position sits uncomfortably with his own methodological commitments