Abstract

Nietzsche’s relationship to his contemporaries, as expressed in his writings, was often figured by corporeal imagery evocative of disgust. For instance, in On the Genealogy of Morality Nietzsche declared himself to suffer from mankind—which he then proceeds to describe as “maggot”—or worm-like. Nietzsche’s philosophical project can be interpreted as a visceral protest against, and attempt to overcome, humanity. This paper argues that Nietzsche attempted through his writings to create a future community of like-constituted companions in his readers through a transmission of affect and education in taste. This would-be "community" is premised on a curious affective dialectic that seeks to transform disgust for humanity into a pure movement of self-creation. The socio-political effects of this dialectic of disgust will be examined alongside Nietzsche's co-option of images of purity, in order to evaluate his response to modern nihilism.