Continental Philosophy Review 37 (4):389-405 (2004)

Authors
Helen A. Fielding
University of Western Ontario
Abstract
In this essay, which is preceded by an interview with the translator, Luce Irigaray revisits her earlier critique of Maurice Merleau-Ponty’s privileging of the visible, but also takes further her own thinking by drawing specifically on the issues raised within the context of painting and the creation of artworks. The focal point of her discussion is Merleau-Ponty’s essay on art, “Eye and Mind.”
Keywords Irigaray  Merleau-Ponty  art
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