Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 4 (2):137-174 (2011)
Authors |
|
Abstract |
What happens when painting emancipates itself from all physical mediums, the piece of art disappears from the exposition site and it becomes immaterial, indiscernible within its surrounding space? What type of esthetic experience and embodied understanding of art is possible under these programmed and produced conditions, maybe dissimulated, and finally enunciated and affirmed next to and in place of that which presents itself with the title of art masterpiece? What type of description, definition and interpretation is necessary? What type of phenomenology, pragmatic, rhetoric, and ontology is called upon? What type of percepts, of effects and affects, of appearance and apparatus, are put into play in this esthetic relation lacking an artistic object? When there is nothing to see and to touch, what living forms, what beliefs, what qualities are dealt with? Until this day, after more than 50 years, the “Exposition of Void” of Yves Klein doesn’t quit asking these and other questions on aesthetics and to the history of art.
|
Keywords | Paratextuality Ontology of Art Klein. Embodiment |
Categories | (categorize this paper) |
Options |
![]() ![]() ![]() |
Download options
References found in this work BETA
View all 17 references / Add more references
Citations of this work BETA
No citations found.
Similar books and articles
Dal mondo dell'arte al regno delle ombre (e ritorno). Arthur Danto, Maya Lin e la bellezza interna.Filippo Fimiani - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
Intuiciones Sobre la Noción de Obra Del Arte.Paulo Vélez León - 2012 - In Vélez León Paulo & Pacurucu Hernán (eds.), Políticas al borde. Una investigación estética sobre el arte contemporáneo cuencano en los discursos políticos actuales. Redesep. pp. 25-56.
As Imagens de Arte E a Produção Historiográfica.Luciene Lehmkuhl - 2007 - In Elio Cantalício Serpa & Marcos Antonio de Menezes (eds.), Escritas da História: Narrativa, Arte E Nação. Edufu.
Arte e Espressione. Studi e Ricerche di Psicologia Dell'arte by argenton, alberto.Ian Verstegen - 2010 - Journal of Aesthetics and Art Criticism 68 (2):196-197.
Teoría de Las Variaciones Y Arte Complicatorio de Las Ciencias En la Dissertatio de Arte Combinatoria (1666) de G. W. Leibniz.Manuel Antonio Correia - 1995 - Theoria 10 (2):141-153.
De la estética de la forma a la estética del significado. Sobre el giro estético de A. Danto.Matilde Carrasco Barranco - 2013 - Revista de Filosofía (Madrid) 38 (1):79-97.
Review: La estética filosófica y la interpretación del arte contemporáneo. Ensayo crítico sobre Las razones del arte. [REVIEW]María Herrera Lima - 2006 - Critica 38 (113):61 - 73.
Ensaio de Composição: Entre o Conceito E a Sensação Em Literatura E Arte Modernas.Márcio Pizarro Noronha - 2007 - In Elio Cantalício Serpa & Marcos Antonio de Menezes (eds.), Escritas da História: Narrativa, Arte E Nação. Edufu.
Credere il giusto e l'ingiusto. Incoerenza e rettifica del proprio sistema di credenze.Leonardo Caffo - manuscript
Etruscan Art Arte Etrusca. Pericle Ducati and Giulio Q. Giglioli. Pp. 104; 156 Half-Tone Illustrations. Rome: Società Editrice d'Arte Illustrata. 80 Lire. [REVIEW]A. S. F. Gow - 1927 - The Classical Review 41 (05):194-195.
El Arte: Un Derecho Para la Sociedad Del Buen Vivir.Ricardo Restrepo - 2013 - El Derecho Al Arte En Ecuador.
Analytics
Added to PP index
2013-10-27
Total views
238 ( #36,592 of 2,409,593 )
Recent downloads (6 months)
12 ( #56,780 of 2,409,593 )
2013-10-27
Total views
238 ( #36,592 of 2,409,593 )
Recent downloads (6 months)
12 ( #56,780 of 2,409,593 )
How can I increase my downloads?
Downloads