The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

Palgrave-Macmillan (2012)
  Copy   BIBTEX

Abstract

From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 74,635

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Motion(Less) Pictures: The Cinema of Stasis.J. Remes - 2012 - British Journal of Aesthetics 52 (3):257-270.
Film Language: A Semiotics of the Cinema.Christian Metz - 1974 - University of Chicago Press.
Theories of Cinema, 1945-1995.Francesco Casetti - 1999 - University of Texas Press.
Film Theory and Philosophy.Richard Allen & Murray Smith (eds.) - 1997 - Oxford University Press.

Analytics

Added to PP
2012-05-28

Downloads
12 (#798,116)

6 months
4 (#172,750)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Matthew Flisfeder
The University of Winnipeg

References found in this work

No references found.

Add more references