The symbolic, the sublime, and Slavoj Žižek's theory of film

New York: Palgrave-Macmillan (2012)
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Abstract

From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.

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Matthew Flisfeder
The University of Winnipeg

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