Abstract

While Ricoeur wishes to relate the concept of narrative to identity and ethics, Girard sees the development of ethical conscience in myth. This paper examines this difference, arguing that the implicitly universal human nature that he posits, driven by mimetic desire, compromises subjectivity as narrative identity, as developed in Ricoeur's work. This paper attempts to read Girard alongside Ricoeur, in order to suggest that there is a problematic tension implicit in Guard's work between subjectivity and drive. To do this, I describe Ricoeur's understanding of mimesis and how this is related to truth and narrative identity. Then turning to Girard, I show how his linking of violence to truth repudiates the possibility of the attestation of truth as subjectivity.