A arte moderna como historicamente-sublime um comentário sobre o conceito de sublime na teoria estética de TH. Adorno

Kriterion: Journal of Philosophy 54 (127):157-176 (2013)

Authors
Verlaine Freitas
Universidade Federal de Minas Gerais
Abstract
O objetivo do texto é propor uma interpretação do conceito de sublime na Teoria estética de Theodor Adorno, partindo do confronto com leituras significativas de outros comentadores, de modo a fornecer uma concepção que associe o movimento de transcendência e alteridade da forma estética à dinâmica histórico-processual das obras. The objective of this paper is to propose an interpretation of the concept of sublime in the Aesthetic Theory of Theodor Adorno, starting with the confrontation with meaningful readings of other commentators, in order to provide a conception that links the movement of transcendence and otherness of the aesthetic form to the process-historical dynamics of the works
Keywords No keywords specified (fix it)
Categories (categorize this paper)
DOI 10.1590/S0100-512X2013000100009
Options
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

Our Archive


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 46,282
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

Philosophie der Neuen Musik.Theodor W. Adorno - 1949 - J.C.B. Mohr (P. Siebeck).

Add more references

Citations of this work BETA

Add more citations

Similar books and articles

Por uma metafí­sica do sublime.Martha de Almeida - 2009 - Princípios 16 (26):229-255.
Sublimidad y nihilismo en la cultura del Barroco.Bernat Castany Prado - 2012 - Revista de Filosofía (Madrid) 37 (2):91-110.
Religion and the Sublime.Andrew Chignell & Matthew C. Halteman - 2012 - In Timothy M. Costelloe (ed.), The Sublime: From Antiquity to the Present. Cambridge: Cambridge University Press.
Contemporary Environmental Aesthetics and the Neglect of the Sublime.S. Shapshay - 2013 - British Journal of Aesthetics 53 (2):181-198.
Kant on Painting and the Representation of the Sublime.Gabriele Tomasi - 2005 - Croatian Journal of Philosophy 5 (3):545-567.
The Most Sublime Act: Essays on the Sublime.Tadeusz Rachwal & Tadeusz Slawek (eds.) - 1994 - Wydawnictwo Universytetu Śląskiego.
The Sublime: From Antiquity to the Present.Timothy M. Costelloe (ed.) - 2012 - Cambridge University Press.

Analytics

Added to PP index
2013-05-11

Total views
24 ( #386,948 of 2,285,981 )

Recent downloads (6 months)
4 ( #319,978 of 2,285,981 )

How can I increase my downloads?

Downloads

My notes

Sign in to use this feature