Kriterion: Journal of Philosophy 54 (127):157-176 (2013)

Verlaine Freitas
Universidade Federal de Minas Gerais
O objetivo do texto é propor uma interpretação do conceito de sublime na Teoria estética de Theodor Adorno, partindo do confronto com leituras significativas de outros comentadores, de modo a fornecer uma concepção que associe o movimento de transcendência e alteridade da forma estética à dinâmica histórico-processual das obras. The objective of this paper is to propose an interpretation of the concept of sublime in the Aesthetic Theory of Theodor Adorno, starting with the confrontation with meaningful readings of other commentators, in order to provide a conception that links the movement of transcendence and otherness of the aesthetic form to the process-historical dynamics of the works
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DOI 10.1590/S0100-512X2013000100009
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References found in this work BETA

Philosophie der Neuen Musik.Theodor W. Adorno - 1949 - J.C.B. Mohr (P. Siebeck).
Expressão como fundamentação.Rodrigo Duarte - 1995 - Kriterion: Journal of Philosophy 36 (91):45-66.

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