British Journal for the Philosophy of Science 62 (4):771-804 (2011)
The ontological status of theories themselves has recently re-emerged as a live topic in the philosophy of science. We consider whether a recent approach within the philosophy of art can shed some light on this issue. For many years philosophers of aesthetics have debated a paradox in the (meta)ontology of musical works (e.g. Levinson ). Taken individually, there are good reasons to accept each of the following three propositions: (i) musical works are created; (ii) musical works are abstract objects; (iii) abstract objects cannot be created. However it seems clear that, if one wants to avoid inconsistency, one cannot commit to all three. Following up recent developments courtesy of Cameron ([2008a]), we consider how one might respond to the corresponding set of propositions in the (meta)ontology of scientific theories
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References found in this work BETA
Remodelling Structural Realism: Quantum Physics and the Metaphysics of Structure. [REVIEW]Steven French & James Ladyman - 2003 - Synthese 136 (1):31-56.
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Truthmakers and Ontological Commitment: Or How to Deal with Complex Objects and Mathematical Ontology Without Getting Into Trouble.Ross P. Cameron - 2008 - Philosophical Studies 140 (1):1 - 18.
An Inferential Conception of Scientific Representation.Mauricio Suárez - 2004 - Philosophy of Science 71 (5):767-779.
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