Abstract

This article aims at showing to Brazilian public, through “Nietzsche by Heidegger: countermarks for a loss”, the most important aspects of the reading of Nietzsche’s philosophy made by Cragnolini. Criticising Heidegger’s way of interpretation, the author reveals the creative and antimetaphysical aspects of Nietzsche’s thought: together with a structural movement of reality there is an artistic movement of re-creation