Technoetic Arts 17 (3):229-240 (2019)

How have contemporary media artworks been proposing hybrid experiences, discussing the ontological implications from the experimentation with emerging techniques that alter our way of being-in-the-world? These experiences dialectically articulate aesthetic relations between real and virtual, visible and invisible, human and technological. In this article, we develop a participant observation of two specific works: Generation 244, by Scott Draves, and Zee, by Kurt Hentschläger. This observation establishes a dialogue with phenomenology as it considers experience and perception as needed prerequisites for the analysis, as proposed by Merleau-Ponty. In this scenario, we have observed that a whole way of partitioning the sensible resets itself and points in the direction of a trans-immanence, generating an integrated knowledge that not only relies on reason, but in a collective wisdom where we can find, according to Didi-Huberman, a ‘light of survival’.
Keywords No keywords specified (fix it)
Categories No categories specified
(categorize this paper)
DOI 10.1386/tear_00017_1
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

Our Archive

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 50,241
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

In Advance of the Broken Theory: Philosophy and Contemporary Art.Sherri Irvin & Julian Dodd - 2017 - Journal of Aesthetics and Art Criticism 75 (4):375-386.
Indiscernible Properties, Discernible Artworks.Maria Jose Alcaraz - 2004 - Postgraduate Journal of Aesthetics 1 (3):136-146.
The Public Cost of Private Ownership of Artworks.Catharine Abell - 2005 - Philosophy in the Contemporary World 12 (2):76-81.
Thinking Art and Experiencing Artworks.Jean-Marie Shaeffer & Johanna Liu - 2005 - Philosophy and Culture 32 (12):31-46.
Aesthetic Antirealism.Brandon L. Cooke - 2003 - Dissertation, St. Andrews
Material Anamnesis and the Prompting of Aesthetic Worlds.Nicolas J. Bullot - 2009 - Journal of Consciousness Studies 16 (1):85-109.
Sculpture and the Sense of Place.Jakob Due Lorentzen - 2019 - Open Philosophy 2 (1):629-639.


Added to PP index

Total views
3 ( #1,242,669 of 2,325,155 )

Recent downloads (6 months)
3 ( #298,641 of 2,325,155 )

How can I increase my downloads?


My notes