Barbarians, Telescreens, and Jazz: Reactionary Uchronias in Modern Spain, ca. 1870–1960

Utopian Studies 26 (2):383-400 (2015)
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Abstract

This article is a preliminary exploration of a large and relatively unknown sample of reactionary uchronias—works of fiction that imagine future revolutionary societies in dystopian terms1—published in Spain between the 1870s and the 1950s. Gregory Claeys has found the origins of this distinctively modern literary subgenre—which, as we will see, overlaps with many others—in what he calls the “second dystopian turn” of the late nineteenth century, born as a reaction against the promises of science and socialism.2 However, other historians have described the emergence in France in the mid-nineteenth century of an anti-utopian genre that anticipates the classic novels written by Zamyatin, Huxley, and Orwell in the..

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