Abstract

The aim of this paper is to cast light upon the moral vision—the vision of what is good and what is obligatory —that governs many if not most of the motion pictures produced in the United States in recent years. I especially have in mind productions such as Pleasantville, Cider House Rules , and American Beauty , and will give special attention to these three movies in what follows. But the phenomenon in question extends far beyond these cases. The basic idea governing these films is now a wide-spread and deep-lying conviction in the contemporary American soul. It is that moral rules and rigorous moral order in life, as traditionally understood, are meaningless or pointless at best, and really are repressive of the best aspects of human relationships, individuality and creativity . What would have traditionally been thought of as moral propriety and human goodness is now generally thought of as arbitrary and as harmful to life, if not downright vicious (at least in its effects), largely because they eliminate or repress feelings , the true elixir of life.