Journal of the History of Philosophy 46 (2):pp. 285-305 (2008)

Authors
Kristin Gjesdal
Temple University
Abstract
The essay takes as its point of departure the way in which the work of Hans-Georg Gadamer has recently been adopted by philosophers such as Richard Rorty, John McDowell, and Robert Brandom. While appreciating the way in which Truth and Method has gained new relevance within an Anglo-American context, I ask whether sufficient attention has been paid to Gadamer’s romantic heritage. In particular I question the way in which his notion of tradition and historical truth, designed as it is to overcome the ramifications of Descartes and the Kantian enlightenment, is modeled on the example of art and aesthetic experience.
Keywords No keywords specified (fix it)
Categories (categorize this paper)
DOI 10.1353/hph.0.0008
Options
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 54,676
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

Analytics

Added to PP index
2009-01-28

Total views
122 ( #77,542 of 2,386,398 )

Recent downloads (6 months)
9 ( #76,194 of 2,386,398 )

How can I increase my downloads?

Downloads

My notes