British Journal of Aesthetics 50 (4):389-410 (2010)

Authors
Lydia Goehr
Columbia University
Abstract
This essay is about ekphrasis and the possibility of musical ekphrasis in particular. It shows how ekphrasis came to be bound up with the contest of the arts. By juxtaposing an ancient, description-based view of ekphrasis with a modern work-to-work view, we are led to see the many productive ways in which ekphrasis has engaged the arts, including music, without assuming hard and fast distinctions of medium between the different arts.
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DOI 10.1093/aesthj/ayq036
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