The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music

Journal of Aesthetics and Art Criticism 51 (4):630-632 (1993)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.2307/431899

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,219

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

The imaginary museum of musical works: an essay in the philosophy of music.Lydia Goehr - 1992 - New York: Oxford University Press.
The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music.Andy Hamilton - 1993 - Philosophical Books 34 (3):186-188.
The Imaginary Museum of Musical Works. [REVIEW]V. A. Howard - 1999 - International Studies in Philosophy 31 (2):145-147.
The quest for voice: on music, politics, and the limits of philosophy: the 1997 Ernest Bloch lectures.Lydia Goehr - 1998 - New York: Oxford University Press.
Writing Music History.Lydia Goehr - 1992 - History and Theory 31 (2):182-199.
The Quest for Voice: Music, Politics, and the Limits of Philosophy.Lydia Goehr - 1998 - New York: Oxford University Press.
The Imaginary Museum of Musical Works. [REVIEW]Roosevelt Porter - 1996 - Review of Metaphysics 49 (3):657-658.
Musical ontology. Sounds, instruments and works of music / Julian Dodd ; Doing justice to musical works / Michael Morris ; Versions of musical works and literary translations.Stephen Davies - 2007 - In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Music.Nicholas Cook - 2010 - New York, NY: Sterling.
Authorial Intention and the Pure Musical Parameters.Peter Kivy - 2012 - Royal Institute of Philosophy Supplement 71:33-50.
Platonism vs. Nominalism in Contemporary Musical Ontology.Andrew Kania - 2013 - In Christy Mag Uidhir (ed.), Art and Abstract Objects. Oxford University Press. pp. 197.
The musical work: reality or invention?Michael Talbot (ed.) - 2000 - Liverpool: Liverpool University Press.
Musical Works and Performances: A Philosophical Exploration.Stephen Davies - 2001 - Oxford, GB: Oxford University Press.
A Psychoanalytic Model of the Musical Experience.Jason Michael Royal - 2001 - Dissertation, Columbia University
The Metaphysics of Mash‐Ups.Christopher Bartel - 2015 - Journal of Aesthetics and Art Criticism 73 (3):297-308.

Analytics

Added to PP
2017-02-21

Downloads
21 (#695,936)

6 months
1 (#1,459,555)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Why can’t I change Bruckner’s Eighth Symphony?David Friedell - 2020 - Philosophical Studies 177 (3):805-824.
Descriptivism and Its Discontents.David Davies - 2017 - Journal of Aesthetics and Art Criticism 75 (2):117-129.
Historically Uninformed Views of Historically Informed Performance.Matteo Ravasio - 2019 - Journal of Aesthetics and Art Criticism 77 (2):193-205.
Types, Tokens, and Talk about Musical Works.Julian Dodd & Philip Letts - 2017 - Journal of Aesthetics and Art Criticism 75 (3):249-263.

View all 21 citations / Add more citations

References found in this work

No references found.

Add more references