Oxford University Press (2002)

Authors
Lydia Goehr
Columbia University
Abstract
Concentrating on the music, politics, and philosophy of Richard Wagner, Lydia Goehr addresses some fundamental questions of German Romanticism: Is all music musical? Is music made less musical by the presence of words? What is musical autonomy? How do composers avoid censorship? How are composers affected by exile? Can music articulate a 'politics for the future'? What is the relation between music and philosophy?
Keywords No keywords specified (fix it)
Categories (categorize this paper)
Buy this book $82.43 used (14% off)   $91.97 new (4% off)   $96.00 from Amazon    Amazon page
ISBN(s) 9780198166962   0198166966
DOI 10.2307/432357
Options
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 63,133
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

Add more citations

Similar books and articles

Analytics

Added to PP index
2012-01-31

Total views
24 ( #453,504 of 2,448,218 )

Recent downloads (6 months)
1 ( #451,050 of 2,448,218 )

How can I increase my downloads?

Downloads

My notes