Authors
Lydia Goehr
Columbia University
Abstract
Este ensayo investiga el discurso global a la sombra de la década de 1960. Se basa en los puntos de vista de Nelson Goodman, Marshall McLuhan y Theodor W. Adorno para explorar tres conceptos centrales para la música en la época de la transmisión global: concordancia, corriente y virtualidad
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References found in this work BETA

Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1971 - British Journal for the Philosophy of Science 22 (2):187-198.
The Virtual Window: From Alberti to Microsoft.Hunter Vaughan - 2009 - Journal of Aesthetics and Art Criticism 67 (3):351-353.

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