Fordham University Press (2004)

Authors
Jennifer Anna Gosetti-Ferencei
Johns Hopkins University
Abstract
Heidegger's interpretations of the poetry of Hölderlin are central to Heidegger's later philosophy and have determined the mainstream reception of Hölderlin's poetry. Gosetti-Ferencei argues that Heidegger has overlooked central elements in Hölderlin's poetics, such as a Kantian understanding of aesthetic subjectivity and a commitment to Enlightenment ideals. These elements, she argues, resist the more politically distressing aspects of Heidegger's interpretations, including Heidegger's nationalist valorization of the German language and sense of nationhood, or Heimat.In the context of Hölderlin's poetics of alienation, exile, and wandering, Gosetti-Ferencei draws a different model of poetic subjectivity, which engages Heidegger's later philosophy of Gelassenheit, calmness, or letting be. In so doing, she is able to pose a phenomenologically sensitive theory of poetic language and a "new poetics of Dasein," or being there.
Keywords German poetry History and criticism  Poetics History  Phenomenology and literature
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Call number B3279.H49.G593 2004
ISBN(s) 0823223612   0823223604   9780823223602
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Rhythm and Technics: On Heidegger’s Commentary on Rimbaud.Yuk Hui - 2017 - Research in Phenomenology 47 (1):60-84.
Kwestia języka w filozofii Martina Heideggera.Marcin Lubecki - 2013 - Argument: Biannual Philosophical Journal 3 (2):357-372.
When Poetry and Phenomenology Collide.Jeremy Page - 2018 - Journal of Aesthetics and Phenomenology 5 (1):31-51.

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