From yuanqi (primal energy) to Wenqi (literary pneuma): A philosophical study of a chinese aesthetic
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
Learn more about PhilPapers
Philosophy East and West 59 (1):pp. 22-46 (2009)
Wenqi 文氣 (literary pneuma) is a foundational idea in Chinese aesthetics. It has remained elusive since its initial formulation, however. This is so largely because previous scholars did not examine its ontological and epistemological conditions in analytic terms, still less explore its implications in a conceptual framework of artistic creation. Here, it is proposed to explore its general as well as specific implications against the larger background of Chinese intellectual thought and in relation to contemporary theories of literature and aesthetics. Through a philosophical inquiry, wenqi is here reconceived as an integration of the primal energy of the universe, the creative energy of human beings, and the totalizing force that animates an artistic work. Wenqi is viewed not as a substance or a product but as a creative and shaping force that flows from the writer into his writing, gives it a distinct shape, and makes it different from any other writing. The theory of wenqi is a system of aesthetic principles that govern the creative and shaping force operating in the space of three intertwined entities: the macrocosm of the universe including human society, the microcosm of the writer, and the microcosm of his writing.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
Nicholas S. Brasovan (2015). Aesthetics of Qi: Building on the Internalist-Essentialist Philosophy of Art. Dao: A Journal of Comparative Philosophy 14 (1):75-93.
Similar books and articles
Gérard Genette (2005). Essays in Aesthetics. University of Nebraska Press.
Larry L. Rasmussen (2011). Energy: The Challenges to and From Religion. Zygon 46 (4):985-1002.
Maurice Blanchot (1982). The Space of Literature. University of Nebraska Press.
Jane Cauvel (1999). The Transformative Power of Art: Li Zehou's Aesthetic Theory. Philosophy East and West 49 (2):150-173.
Zehou Li (1994). The Path of Beauty: A Study of Chinese Aesthetics. Oxford University Press.
Haina Zhang, Malcolm H. Cone, André M. Everett & Graham Elkin (2011). Aesthetic Leadership in Chinese Business: A Philosophical Perspective. [REVIEW] Journal of Business Ethics 101 (3):475-491.
Gerald C. Cupchik & János László (eds.) (1992). Emerging Visions of the Aesthetic Process: Psychology, Semiology, and Philosophy. Cambridge University Press.
Zongqi Cai (ed.) (2004). Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties. University of Hawai'i Press.
Peter Howarth (2007). Creative Writing and Schiller's Aesthetic Education. Journal of Aesthetic Education 41 (3):41-58.
Ming Dong Gu (2003). Aesthetic Suggestiveness in Chinese Thought: A Symphony of Metaphysics and Aesthetics. Philosophy East and West 53 (4):490-513.
Added to index2009-01-28
Total downloads32 ( #150,116 of 1,924,752 )
Recent downloads (6 months)2 ( #308,315 of 1,924,752 )
How can I increase my downloads?