Jeepney spirituality

Thesis Eleven 112 (1):87-97 (2012)

Abstract
The orientation of public space is either logocentric or eclectic. The surface of a Philippine jeepney is an example of a successful inversion of American militaristic individualism into a place for the celebration of idiosyncrasies. Using Walter Benjamin’s differentiation between allegory and symbolism – and photographs of Philippine jeepney art – this essay problematizes the collapse of contemporary spirituality into a political demographic
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DOI 10.1177/0725513612450501
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The Origin of German Tragic Drama.Walter Benjamin - 1978 - Journal of Aesthetics and Art Criticism 37 (1):103-104.
Confessions of a Flaneur.John Thomas Giordano - 2005 - Budhi: A Journal of Ideas and Culture 9 (1):75-103.

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