In J. C. Marek & E. M. Reicher (eds.), Experience and Analysis: Papers of the 27th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society (2004)

Eran Guter
Max Stern Yezreel Valley College
Wittgenstein’s thinking on music is intimately linked to core issues in his work on the philosophy of psychology. I argue that inasmuch musical experience exemplifies the kind of grammatical complexity that is indigenous to aspect perception and, in general, to concepts that are based on physiognomy, it is rendered by Wittgenstein as a form of knowledge, namely, knowledge of mankind.
Keywords Wittgenstein  music  knowledge  experience  aesthetics
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‘I Heard a Plaintive Melody’.Oswald Hanfling - 1990 - Royal Institute of Philosophy Supplement 28:117-133.

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