Classical Quarterly 30 (01):33- (1980)

Abstract
The basis of this article is a reconsideration of some old and familiar problems about Aristophanes' early career. In the course of trying to supply firm solutions to these problems I hope also to present evidence for an early and inconspicuous stage in Aristophanes' development as a comic dramatist, and as a reflection on the resulting picture I shall make some general observations on ou understanding of the relationship between the various activities involved in the creation of a comic production in the fifth-century theatre. Practically all the material I shall deal with comes from the plays themselves, and I should state at the start that I both work with and hope to justify the principle that Aristophai disingenuousness does not normally operate where hard facts of chronology, law and theatrical conditions are concerned
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DOI 10.1017/s0009838800041161
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How to Avoid Being a Komodoumenos1.Alan H. Sommerstein - 1996 - Classical Quarterly 46 (02):327-.
How to Avoid Being a Komodoumenos.Alan Sommerstein - 1996 - Classical Quarterly 46 (2):327-356.
Tragedy and Politics in Aristophanes' "Acharnians".Helene P. Foley - 1988 - Journal of Hellenic Studies 108:33-47.
A Case For Aristomenes.Dwora Gilula - 1989 - Classical Quarterly 39 (2):332-338.

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